“Everybody wants to understand art. Why not try to understand the song of a bird?…individuals who make an effort to explain pictures are generally barking up the wrong tree.” – Pablo Picasso
What Picasso says about understanding art is very related to how you approach abstract paintings. Many people feel that abstract paintings must have a particular concept of some type, which could be clearly understood and articulated if only they knew how. This misconception is not really helped through the endless availability of people ready to spout nonsense in regards to what believe that the artist was seeking to say. The almost inevitable consequence of this case is the fact that people either can feel like they may be being excluded from sharing in some secret knowledge, or alternatively conclude that Extra Large Paintings is certainly all a sham. In any event, the result is the fact that lots of people tend not to feel well-disposed towards modern art or abstract paintings.
I certainly identify with Picasso’s remark so far as my own paintings are worried. Should I enjoyed a specific message or perhaps a which means I really could articulate in words, i then would articulate it in words – the painting would have no purpose. The complete point of creating an abstract painting is that it embodies something which only it could, in a manner in which cannot be placed into words. It is really not an essay this is a painting – it encompasses and expresses things in a language that is unique to the medium of paint. For this reason we need to not try to ‘understand’ abstract paintings in the way people sometimes feel they ought to be able to.
The viewer must not search for a clear narrative inside an abstract painting – it is not going to tell a narrative, or reference another ‘subject’ in the same manner that the figurative painting will. But that does not necessarily mean there is no meaning or no subject, or that abstract paintings cannot contact and move people. When asked about material, the Abstract Expressionist artist Jackson Pollock said, “I am just the subject”. Pollock’s statement is not just true, it is inevitable.
The experiences, personality, memories and mood in the abstract artist cannot help but be fed to the painting if the artist approaches the job within an open and honest way. I do not require another subject or idea before I could create Extra Large Paintings – I simply begin. The fact that I am me without any-one else is the reason why my work different to anyone else’s, and the same wzjtrs true of all artists. The colours I choose, the marks a make, the accidents I choose to go out of, or to obliterate, these are generally all things i choose due to who I am just.
If you were to present many different artists with the exact same basic design over a canvas and ask them to pick-up a brush and develop the painting, the variations in what they would elect to do could be enormous. We have watched other abstract artists at the office on paintings and thought “I would never in a million years have chosen that colour and set it there.” Not because I believe that it is wrong or bad, but because they are who they are and (to quote that other leading artist, Morrisey!) “only I am just I”.
Abstract paintings – There are numerous great types of painting on the market, as a result of a rich art history which has seen movement after movement. The term abstract art is often used a blanket term to explain non-representational art – this is the lack of recognisable subjects. Abstract art was linked to the rise of modernism over the past century, getting into the mainstream with abstract expressionism in post-war art and still continuing to influence artists today.
What brought regarding the qualities we see in abstract art? The flattening of the artist’s canvas surface is just one major quality, as artists moved far from a convincing illusionism towards broader-minded thinking. With all the invention of photography releasing the artist from painting as a means of recording reality, they began seeing the canvas surface as being an object in its own right, with all the canvas as being a single, flat expansive surface. Paint ‘acted’ and affected the flat surface and began to form its very own qualities according to how it was handled. The paint could exhibit ‘personality’, it had its own dimensions and opened a range of different techniques we see in artwork from the last century. One of the main reasons artists began Extra Large Paintings within an abstract way was the opportunities for greater creativity. It allowed to get a greater range of expression and the development of ideas that had been not dependent on representing reality anymore.