Naija Music – The Sound Of Nigeria. For all those individuals not familiar with Naija Music – this is the sound emanating through the Nigerian Popular music scene. African popular music is, in the whole, as diverse as the cultures found through the continent with every region enjoying its very own unique type of well-known music accompanied by an array of instruments many Westerners are new to.
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Nigerian Music includes anything from Folk Music to much of the Favorite Well-known music found throughout the world. There are several indigenous and ethnic peoples in Nigerian – therefore it should not be surprising that each ethnic group enjoys its very own unique popular music flavour and instrumentals, poetry and music style.
Did you know, for example, that traditional favorite music present in Nigeria is closely connected to its agriculture, with certain instruments not being able to be played during various seasons? Labour songs are a everyday sort of indigenous Nigerian music which will help to keep the rhythm of workers in fields and also the river canoes (think slave songs of the Deep South).
The story is often told about the mother cheetah who comes back home from your hunt to locate her cubs have already been trampled to death by elephants. Knowing that she actually is no match for these particular giants, she blames and kills a herd of goats. Similarly, when a team of Kenyan musicians took to the streets a week ago calling at a discount Nigerian and Tanzanian well-known music, these people were killing goats. The elephant in this case is history. However, not really history is really a match for innovation.
It’s funny, nevertheless the country music star Kenny Rogers can come to Kenya today, charge an arm as well as a leg, and play per month of sold-out stadium gigs. Yet his heyday is at the ‘80s. The same holds true for top-tier Nigerian acts. Their time, however, has become. Kenya seems predisposed to preferring the foreign, the exotic, the western. At the risk of being accused of bringing up ‘that old trope,’ it all began using the erosion of our culture if the colonialists came. Colonialism eroded Kenyan culture I daresay a lot more than it did in West Africa, in Uganda, in Tanzania. Kenya was actually a settler state. The Brits had no plans of going anywhere. Ever. And then in their assistance, and under duress, we threw the culture baby out with the pagan bath water and planted the Church and also the Union Jack on the scene from the crime dressed in mandatory, state-issued calico cloth threatened by the mental and physical whips of our settler masters. And when the newest government in independent Kenya clamped on the Funk movement from the late 70s in addition to all the other artistic expression, threatening and jailing academics inside the universities and strangling the media, we shrunk into our cocoons, allowing ourselves instead to be satiated and sedated from the likes of ABBA, The Bee Gees as well as the Beatles. Homegrown innovation have been dealt a blow that could take us decades to recover from. I used to be born middle class (and English-speaking) in the ‘70s. My predilection for all things Western was established at the beginning of life. I would personally be irritated, nay embarrassed, when I’d get back home from school and find the housekeeper blasting ‘that shady Rhumba.’ Once I began my music career in the 90s there weren’t many Kenyan musicians to look approximately. Anybody who had managed to record anything have been condemned by society to dying, drunk or living poor, a direct result ‘loose morals and bad choices.’
I’m always slightly embarrassed when I introduce myself to folks I meet round the continent. I’m ‘Eric,’ while the South Africans are ‘Kgomotso’; the Nigerians are ‘Olusegun.’ Even whilst the Tanzanians may be ‘Damien’- pronounced ‘Da-mi-YEN’- they speak Kiswahili with your ease and fluidity having studied subjects like Biology within their national language. The Kiswahili language rolls off their tongues like honey towards the easy beat of Bongo Flavour, as close that you can get to Zouk singing on dry land. As a result, in Tanzania, American Idol loses pride of place to Project Bongo, possible show focusing on homegrown talent. Conversely, urban Kenyans get so far as Sheng, a hybrid of Kiswahili and vernacular ipebrc so diverse that kids from estates separated by as low as a highway have different names for the similar thing. Sheng dictionaries become obsolete once they head to press, owing to the rapidity within the change of vocabulary. A Sheng speaker can date you to definitely inside a year of your own birth, locate your home to in a street by the word you make use of for ‘car’ or ‘mobile phone.’ Within the rural areas, Kiswahili is really as foreign as Greek, and is also spoken only by those that might have picked it at school or by those ethnicities whose ethnic language shares a typical Bantu base with Kiswahili, akin to that between Italian and Spanish. We claim to have a national language. Listen again.